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Breakfast at Tiffany's: A Broadway Smash

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Last Wednesday night we had the pleasure of premiering Irwin’s interpretation of Breakfast at Tiffany’s at Spring Awakening, a Broadway inspired Tabletop Show to benefit the Summer Theatre of New Canaan. Charles Pavarini III and Randall Tarasukassembled an amazing collection of Connecticut, New York and New Jersey designers who displayed settings that rivaled any Broadway opening night.  We were humbled and honored to be included in such an auspicious group.

Immediately upon entering the spacious room at Le Beau Chateau, Irwin knew exactly what he wanted to do.  The space and the show (a musical that never made it past previews in 1966) buoyed his imagination and the magnificent Stroheim fabric became the inspiration and the foundation of the scene he began to build.   Breakfast at Tiffany’s is a very NYC story; elegant and sophisticated, with a sense of humor that Irwin made sure to reflect in his interpretation.

So please, make yourselves comfortable and turn off all cell phones as we raise the curtain on Breakfast at Tiffany’s.

The scene begins with George Ratkai’s oil on canvas entitled Man & Woman symbolizingHolly & “Fred” the main characters of the show, who in reality, need no names.  Below them is an Edward Wormely for Dunbar Bench and a Lucite and chrome cigarette table

They find themselves on Fifty Seventh Street, just around the corner from Fifth Avenue where they are greeted by a Frederick Weinberg horse cart offering up bubbly along with the sweet smell of spring’s flowers in Central Park.

The MCM floor lamp graces a custom handmade shade reminiscent of a Hepburn chapeau.

The beauty of NYC surrounds them and Norman Mercer’s incredible Lucite sculptures atop the mirrored pedestals represent New York’s majestic skyline reflected magnificently by our scrolled mirrors.

 

 

The massive Tiffany doors stand erect, beautifully built and faux finished by our wonderfully talented friend Fabrizio, of F & F Faux Finish Painting and are accented by our brilliant glass rod sconces placed strategically as handles.

The Baughman Love Chair is covered in hot pink and is …well, it just is and does not require any further commentary; you can just let your imagination go wild.  It is marvelously comfortable covered with splendid pillows, a copy of the work and a vintage piece of Marcy Feld Jewelry.  It is paired with a white Sculptura floor lamp and the "Atomic Scientist" lithograph by John Brunsdon, along with a Pace end table.

The inspiration for the setting, the striking Stroheim fabric covers the unique barstools which Irwin has re-sculpted to mimic the shape of a woman’s bodyand appear as incarnations of Holly sans the sunglasses: The peaked corners are our homage to Cat.

The “Tiffany” table is our custom designed MCM inspired piece that Tiffany’s purchased several of for the fifth Avenue store and is flanked by our sexy Grosfeld House chairs covered in dazzling Donghia fabric.  The entire scene is set upon the exquisite Yardo Silk Rug courtesy of Kooches.

And the tabletop?

It is brimming with painstaking details from the layered Juliska“fountain” topped with our little MCM rooster to the coffee bean filled cups.  Breakfast treats, including Tiffany box inspired petit fours adorn this magnificent mercury mirrored table with baguette edges and iron base.

 The table, trimmed with Tiffany blue ribbon, is set with glorious Juliska crystal and our personal Bernardaud Limoges china designed by Josef Hoffmann.  The cereal bowls are filled with pewter coco puffs and Juliska napkin encircled by our “Engaging” napkin rings designed by Irwin. 

 The details are unending and may require several viewings so please feel free to enjoy the visual feast and remember no flash photography is allowed during the performance.


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